
The library contains information about the songs and music presented by Symphony of Australia Pty Ltd. It also provides you with links to other websites where you can learn more about the iconic Australian authors and poets whose written words are featured in our productions. If you would like suggest other links we should add, send us an email.
The lyrics of the final movement of the Symphony of Australia, My Country Australia, are drawn from a poem by Dorothea Mackellar, originally published as Core of My Heart in 1908, when Sydney-born Dorothea was 19, in London, and homesick.
I love a sunburnt country,
A land of sweeping plains,
Of ragged mountain ranges,
Of drought and flooding rains,
I love her far horizons,
I love her jewel sea,
Her beauty and her terror -
The wide brown land for me.
An opal-hearted country,
A wilful, lavish land -
All you who have not loved her,
You will not understand -
Though Earth holds many splendours,
Wherever I may die,
I know to what brown Country
My homing thoughts will fly.
In preparation for “Celebrate Australia!”
Symphony of Australia Pty Ltd arranged an
interview with composer Gavin Lockley
and concert director Stuart Maunder.
Here is the interviewer’s report.
“What better way to celebrate what it means to be Australian on Australia Day than with an entertaining family concert of Australian music and song?” asks Gavin Lockley. And so, that is exactly what Symphony of Australia Pty Ltd is offering Sydney audiences at The Domain this January 26.
Lockley, who describes himself as “an enthusiastic patriot”, is producing a new signature event for the Australia Day Council of NSW called “Celebrate Australia!” The free family concert begins at 5pm with a musical show for children called Lah-Lah’s Big Live Band.
The evening culminates with Lockley’s ambitious but accessible and uplifting Symphony of Australia, which aims to tell the history of this great “wide brown land” of ours through music.
The first five movements depict landmark moments in the history of Australia, each introduced by a narrator. The first called Dreamtime tells the story of the Rainbow Serpent and the creation of the land with evocative, minimal music somewhat reminiscent of Peter Sculthorpe.
The second movement, The Ships, is about the arrival of the First Fleet. It features a convict reflecting on the home he has left behind and the harrowing journey to Botany Bay and conjures the sounds of Port Jackson with the pipe and drum of the Marines, the first sermon by the Reverend Richard Jackson and the indigenous reaction to the arrival of the white man.
The Red Centre conjures the ill-fated expedition of explorers Burke and Wills across the harshly beautiful, unforgiving terrain under a merciless sun.
The fourth movement, Pie Jesu, in which a mother receives a letter informing her of her son’s death on the battlefields of World War I, is a lyrical lament for all Australians who have sacrificed their lives in war.
In the fifth movement, Immigration Scherzo, Lockley uses the Australian National Anthem as a musical template to embrace the rich and varied musical styles and sounds of the many nationalities that make up our nation, in celebration of our multi-cultural identity.
The symphony culminates, in rousing fashion, with an extended version of My Country Australia, which brought audiences to their feet at the Sydney Opera House premiere.
Shortly after the premiere, Lockley was discussing his symphony and Australian poetry with Australian author Colleen McCullough when she threw her head back and recited: “And he sees the vision splendid of the sunlit plains extended” from Banjo Paterson’s Clancy of the Overflow, adding “now that’s poetry!”
Inspired, Lockley set Paterson’s poem to music. Pleased with the result, he composed tunes for other iconic Australian poems, which he gathered together with various existing ballads under the title Ballads of the Bush.
While touring New Zealand early last year in Opera Australia’s new production of My Fair Lady, Lockley showed some of them to Maunder, the show’s director.
“I listened to them and I have to say I fell in love with them,” says Maunder. “I thought they were great settings.”
In fact, he was so impressed that he agreed to appear as one of the soloists when Ballads of the Bush had its premiere at the City Recital Hall in Sydney last October.
Maunder won’t be singing at “Celebrate Australia!”. Instead he will be focussing his energy on directing the event, which includes live footage of the performance on large screens as well as video imagery relating to the Symphony.
Composing is a relatively new string to Lockley’s bow. Born into a decidedly musical family, he and his sister sang with their parents in a family quartet from a young age.
He began his professional career as the young Gavroche in the Australian premiere production of Les Misérables for Cameron Mackintosh. He studied for a Bachelor of Music at the Sydney Conservatorium and then undertook a Masters Degree in Germany.
A gifted singer, he has performed with the Opera Australia chorus in various Gilbert and Sullivan productions. In 2003, he joined the renowned act The Three Waiters and in 2004 made his debut recording for the ABC as conductor/singer performing the works of Hanns Eisler.
Lockley performed on the Anthony Warlow and Lesley Garrett Australian tour of The Magic of Music and was a supporting artist for the Russell Watson Australasian tour of Amore Musica.
Assistant conductor on the opera Dead Man Walking in Sydney in 2007, he is currently working with Colleen McCullough on a musical adaptation of her novel Morgan’s Run.
Right now, Lockley is consumed by his passionate commitment to Celebrate Australia!
“We’re going to try and do it every year,” he says, “and build it as we go.”

An annual event at Corryong, Victoria
http://www.bushfestival.com.au/
The Man from Snowy River Bush Festival is held annually in Corryong, Victoria, in the foothills of the Snowy Mountains -- half way between Melbourne and Sydney.
The Man from Snowy River Bush Festival was established in 1995, when promoter Jonathon King celebrated the centenary year of Banjo Paterson's poem “The Man from Snowy River”.
The Festival is a celebration of bush folklore, skills and traditions based around the icon Jack Riley and all he represented. It is a unique bush gathering of mountain riders, poets, artists and lovers of the Australian High Country. Held every April, the Festival brings together people from around Australia -- as well as international visitors -- to celebrate traditional high country and bush culture and in particular the imagery created by A.B. "Banjo" Paterson's and Australia's most famous poem “The Man from Snowy River”.








